<?xml version="1.0" encoding="utf-8"?> 
<rss version="2.0"
  xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"
  xmlns:atom="http://www.w3.org/2005/Atom">

<channel>

<title>Архитектура Одессы: заметки с тегом Stalin’s Empire style</title>
<link>https://all.archodessa.com/tags/stalins-empire-style/</link>
<description>Каталог наиболее интересных архитектурных построек Одессы. История и описание официальных памятников архитектуры и исторически ценных зданий</description>
<author>Архитектура Одессы</author>
<language>ru</language>
<generator>E2 (v3849; Aegea)</generator>

<itunes:owner>
<itunes:name>Архитектура Одессы</itunes:name>
<itunes:email></itunes:email>
</itunes:owner>
<itunes:subtitle>Каталог наиболее интересных архитектурных построек Одессы. История и описание официальных памятников архитектуры и исторически ценных зданий</itunes:subtitle>
<itunes:image href="" />
<itunes:explicit></itunes:explicit>

<item>
<title>6, Marazlievskaya Street. Dwelling house of PI-3 employees</title>
<guid isPermaLink="false">153</guid>
<link>https://all.archodessa.com/all/marazlievskaya-6-en/</link>
<pubDate>Wed, 25 Dec 2013 12:29:47 +0200</pubDate>
<author>Архитектура Одессы</author>
<comments>https://all.archodessa.com/all/marazlievskaya-6-en/</comments>
<description>
&lt;blockquote&gt;
&lt;p&gt;Before a huge dwelling house «Patrician» on the corner of Bazarnaya and Marazlievskaya Streets was erected in the 2000-s years, a small house of employees of the city Project Institute by address 6, Marazlievskaya Street had been the newest house on the street. If to analyze this so-called «Stalin’s Empire style» in general, this building can hardly be named as a remarkable one, however it was quite smoothly inserted among other buildings on Marazlievskaya Street and therefore  no obvious disharmony arises.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Type of building: &lt;b&gt;multi-family house&lt;/b&gt;&lt;br /&gt;
Style: &lt;b&gt;«Stalin’s Empire style»&lt;/b&gt;&lt;br /&gt;
Architect: &lt;b&gt;L. М. Narkevich&lt;/b&gt;&lt;br /&gt;
Date of building: &lt;b&gt;1958-1959&lt;/b&gt;&lt;br /&gt;
Status: &lt;b&gt;object of background housing&lt;/b&gt;&lt;br /&gt;
Previous building on the site: &lt;b&gt;apartment house of R.Sonstein&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Main facade&lt;/b&gt;&lt;/p&gt;
&lt;div class="e2-text-picture"&gt;
&lt;div class="fotorama" data-width="803" data-ratio="0.803"&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-4.jpg" width="803" height="1000" alt="General view" /&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-6.jpg" width="823" height="1000" alt="General view" /&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;Before a building of the house existing today, the site number 6 was occupied by the building with the same size of the eclectic period which is easily visible in the pictures and post cards of prerevolutionary times which illustrate this part of the street. During the Great Patriotic War the building was heavily damaged and just before PI-3 house erecting its ruins had been finally removed. The replacement can hardly be considered equivalent, however the house which appeared here in the year 1959 is interesting in its own way.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://maps.google.com/maps/ms?msa=0&amp;amp;msid=210826835402245267087.0004cedc7ec9ddcdf12fe&amp;amp&amp;amp;t=h&amp;amp;ll=46.482822,30.750452&amp;amp;spn=0,0&amp;amp;output=embed"&gt;https://maps.google.com/maps/ms?msa=0&amp;amp;msid=210826835402245267087.0004cedc7ec9ddcdf12fe&amp;amp&amp;amp;t=h&amp;amp;ll=46.482822,30.750452&amp;amp;spn=0,0&amp;amp;output=embed&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;In the house there are four floors and a facade along the building line. The width of the facade is seven window axes. The facade is strictly symmetric, has two one-floor risalit on the ground floor, on which two half-columns are installed flanking the loggias above. The loggias occupy the first, second and the third floors.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Loggias of the main facade&lt;/b&gt;&lt;/p&gt;
&lt;div class="e2-text-picture"&gt;
&lt;div class="fotorama" data-width="445" data-ratio="0.445"&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-20.jpg" width="445" height="1000" alt="General view of the loggias composition and half-columns flanking them." /&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-3.jpg" width="577" height="1000" alt="General view of the loggias upward" /&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-10.jpg" width="682" height="1000" alt="General view of the loggias upward" /&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;b&gt;Decorative elements of the main facade&lt;/b&gt;&lt;/p&gt;
&lt;div class="e2-text-picture"&gt;
&lt;div class="fotorama" data-width="725" data-ratio="0.725"&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-9.jpg" width="725" height="1000" alt="Capital of half-column" /&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-2.jpg" width="824" height="1000" alt="Capital of half-column" /&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class="e2-text-picture"&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-5.jpg" width="780" height="1000" alt="" /&gt;
&lt;div class="e2-text-caption"&gt;Balcony corbel&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;Balconies of the first and second floors do not project further than the building walls planes; the balcony of the third floor slightly jutting out is supported by the half-columns mentioned above. Other plastic techniques are used for underlining the central axis. On the second and the third floors usual balconies on the corbels with stony balustrades, typical for «Stalin’s Empire style» are located. The house itself along this very axis is crowned with half-round pediment with semicircular window.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Pediment&lt;/b&gt;&lt;/p&gt;
&lt;div class="e2-text-picture"&gt;
&lt;div class="fotorama" data-width="972" data-ratio="0.972"&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-8.jpg" width="972" height="1000" alt="General view" /&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-11.jpg" width="981" height="1000" alt="General view" /&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-14.jpg" width="959" height="1000" alt="Decoration of the upper part of the window" /&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-18.jpg" width="1000" height="752" alt="Decorative element" /&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-16.jpg" width="701" height="1000" alt="Keystone" /&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;Compositional union of all facade elements is achieved due to uninterrupted wide moulded frieze.&lt;/p&gt;
&lt;div class="e2-text-picture"&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-7.jpg" width="846" height="1000" alt="" /&gt;
&lt;div class="e2-text-caption"&gt;Fragments of the frieze&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;Facade is finished with the massive cornice and stone balustrade on the each side of the pediment.Moulded decor is concentrated on the balcony corbels and balustrades, half-columns, frieze, cornice and pediment. The surface of the walls has no decoration but there is a light tentative rustication. The rustication of the ground floor is only horizontally orientated. It is present both on the facial and the yard facades.&lt;/p&gt;
&lt;p&gt;One can enter the yard of the house through the arch of the neighbor house of Ozmidov (number 4). A yard  facade, as well as the facial one, is absolutely symmetric, but unlike the facial one — has no decoration at all.&lt;/p&gt;
&lt;div class="e2-text-picture"&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-1.jpg" width="1000" height="904" alt="" /&gt;
&lt;div class="e2-text-caption"&gt;Yard facade&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;Along the central axis an entrance to its single entrance hall and its windows are located. Just along this very axis a staircase is located. The decoration is ascetic and extremely functional. The railings are very simple and are made of the cross-sectioned wands. The landings are very spacious, on each of them doors of four apartments are situated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Entrance hall&lt;/b&gt;&lt;/p&gt;
&lt;div class="e2-text-picture"&gt;
&lt;div class="fotorama" data-width="708" data-ratio="0.708"&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-19.jpg" width="708" height="1000" alt="Staircase" /&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-15.jpg" width="685" height="1000" alt="Railings" /&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-13.jpg" width="739" height="1000" alt="Scroll of the rail in the entering flight of stairs" /&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-12.jpg" width="479" height="1000" alt="Apartment door" /&gt;
&lt;img src="https://all.archodessa.com/pictures/marazlievskaya-6-17.jpg" width="588" height="1000" alt="Handle of the apartment door" /&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;On the whole, despite the comparative restraint of the Stalin houses of the 50-s years, the house on 6, Marazlievskaya Street is noticeably more decorated than majority of them that is certainly due to the neighborhood of the sophisticated architectural masterpieces of the pre-revolutionary epoch. Owing to this, the building is nicely fit in a surrounding housing, and the height of it corresponds to the neighbor houses number 2 and 4 in order to avoid the rhythm disturbance.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;div class="e2-text-video"&gt;
&lt;iframe src="https://www.youtube.com/embed/bHu20A0b4mc?enablejsapi=1" allow="autoplay" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;
&lt;div class="e2-text-caption"&gt; &lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;b&gt;References and archives&lt;/b&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;«Architects of Odessa». V. Pilyavskiy&lt;/li&gt;
&lt;li&gt;«Architecture of Odessa. Style and time». V. Pilyavskiy&lt;/li&gt;
&lt;li&gt;«Buildings, construction, monuments of Odessa and their architects». V. Pilyavskiy&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;b&gt;Authors&lt;/b&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="authors/shamatazhi/index.html"&gt;DmitriyShamatazhy&lt;/a&gt;, &lt;i&gt;photographer and author&lt;/i&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="authors/levitsky/index.html"&gt;AlexandrLevitsky&lt;/a&gt;, &lt;i&gt;art director, photograph and colourist&lt;/i&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://valeri-kyiv.livejournal.com/"&gt;Valeriia Arnaud&lt;/a&gt;, &lt;i&gt;translator&lt;/i&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.facebook.com/marina.tomenko.9"&gt;Marina Tomenko&lt;/a&gt;, &lt;i&gt;editor&lt;/i&gt;&lt;/li&gt;
&lt;/ul&gt;
</description>
</item>


</channel>
</rss>